The BFG
By Roald Dahl
Illustrated by Quentin Blake
The BFG by Roald
Dahl (1989) is a narrative which tells the story of Sophie, a little girl from
an orphanage. One night Sophie is snatched from the orphanage by a giant called
the BFG, which stands for the Big Friendly Giant. The BFG was wandering the
streets engaging in mysterious activities before he whisked Sophie away to
Giant Country. Sophie is relieved when she learns that the BFG collects,
catalogues and delivers pleasant dreams to young children. Although the mean
giants who also live in Giant Country travel the country every night and eat
people! Sophie decides the mean giants must be stopped, although she doesn’t
think that the BFG and her alone will be able to stop them. Sophie then comes
up with a plan to mix up a dream to tell the Queen of England what the mean
giants are doing. The plan is successful and with the help of the Queen and the
armed forces they are able to defeat the mean giants.
As discussed by Gamble & Yates (2008) narratives commonly
follow one or more of the seven basic plots. The BFG displays common ideas from
both the ‘overcoming the monster’ and ‘quest’ plot. This is demonstrated in the
book through the quest that the BFG and Sophie go on in order to overcome the
mean giants.
A key factor of this text that both develops the characters
personality as well as allows the reader to analyze the language and grammar
used is the BFG’s dialogue. The BFG ‘can’t speak proper English’ which
establishes and innocent quality to his personality which creates a beautiful
contradiction through the BFG’s huge size and presence in comparison to his
child-like mind. This is shown in the text when the BFG states,
“I is tired” and when he asks “Is I right or left?”.
This dialogue also allows students to analyze the text and
identify the errors that the BFG has made and describe why he is incorrect.
A crucial element to this text is the illustrations as they
perfectly depicted the story and create a unified text, which engages the
reader and sparks their imagination. The reader is also engaged through the
language that Dahl has used as throughout the story as he introduces a range of
‘new words’ which include frobscottle, snozzcumbers and jabbscottled. All of
these words engage the reader and allow them to become intrigued and simulated
by the story and the ‘sillineness’ of the words. The mean giants names are also
creative and engage the reader as they include descriptive names such as; The Fleshlumpeate, The
Bonecruncher, The Manhugger, The Childchewer, The Meatdripper, The
Gizzardgulper, The Maidmasher, The Bloodbottler and The Butcher Boy. All of
these descriptive names describe the horrible characters and allow the reader
to visualize the giants and their terrible behavior simply through their names.
This
is a great text to be used with primary students and high school students as it
can be explored in a variety of ways to suit the outcomes and needs of the
students. The whimsical quality of this story allows teachers to promote
creativity and imagination as well as develop literacy and language skills.
References:
Gamble, N. & Yates, S. 2008, ‘Narrative: Narration and
Structure’ in Exploring Children’s Literature, SAGE, pp. 45-77.
All kids love Roald Dahl's books and 'The BFG' is one of my personal favourites. I loved this story as a kid, and I still remember Blake's unique illustrations. I think the most enjoyable aspect of this children's narrative is that similar to Harry Potter; there is no reason why this story could not be true (if you believe in wizards and giants). It is after all set in our world with real characters (such as the Queen) and explains things that even adults don't have adequate explanations for; such as dreams. I think this is a valuable text to use in guided reading because some of the creative and silly words are quite challenging to pronounce. This would encourage readers to use code-breaking practices involved in sounding words out, as discussed in our week six workshop (Winch et al. 2010). 'The BFG' provides an interesting a quirky narrative for students to enjoy and as you say Sally, Dahl's language style is truly unique.
ReplyDeleteI definitely agree with your point regarding Dahl providing explanations to aspects of life which we can't, such as dreams. I think this is an aspect of his texts which truly engages children as they are able to some what 'find answers' (whether they be true or not) to some of life's mysteries. I decided to look further into Dahl's work in order to analyse the themes that are present throughout his texts.
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